Showing posts with label star wars. Show all posts
Showing posts with label star wars. Show all posts

Friday, July 04, 2025

Four For the Fourth: Friction In the Air

(Here's the second article in this 2025 Four For the Fourth)

You say you want a revolution?

You want to stand up against the growing fascism of the trumpian regime?

You might want to watch Star Wars Andor series to get in the proper mindset then (via Derek Pharr at Nerdist):

Andor doesn’t just sideline the Jedi, it reframes the entire rebellion without them. There’s no Force and no Midichlorians. No elegant solutions from a more civilized age. Just people. Flawed, desperate, courageous people, who decide that enough is enough. The result is the most grounded, morally complex, and weirdly hopeful take on resistance the franchise has ever given us. Andor isn’t just “what if Star Wars was prestige TV?” It’s a reevaluation of who actually fought the Empire and a reminder that revolutions are won by the people who show up, not the ones meditating about it...

Let’s start with an uncomfortable truth: the Jedi failed. Not metaphorically. Not in a “the road to hell is paved with good intentions” way. They were spectacularly bad at their jobs. While Palpatine engineered a fascist takeover in broad daylight, the Jedi were too busy pontificating about balance to notice the galaxy was slipping into totalitarianism. Their detachment wasn’t just a quirk of their order. It was their fatal flaw.

Andor doesn’t waste time pointing fingers at them. It simply moves on. The Jedi aren’t mentioned, and frankly they aren’t missed. What replaces them isn’t another elite class of heroes. Instead, it’s working-class people, loners, bureaucrats, and ex-cons who decide to resist in whatever way they can. There’s no talk of prophecy or destiny in Andor. No one’s “the chosen one.” They’re just the ones who showed up.

Through two seasons, the show set up the path of Cassian Andor from youthful dispossessed jungle child into one of the Rebel Alliance fighters who uncover the secret plans that reveal the (engineered) weak spot of the dreaded superweapon Death Star. While the movie Rogue One already spelled out Cassian's fate, the show takes the time to show how and why he stood up against a massive Empire in spite of the overwhelming odds.

Cassian evolves from regular thief stealing Imperial ship parts in a way the government's intelligence agency - the ISB - couldn't identify with any pattern, into a minor participant of a bank robbery to fund the fledging Alliance that sparks an ISB crackdown on galactic civil liberties that underscores the banal cruelty of that regime. Cassian gets imprisoned and forced into a labor facility understaffed and overtly brutal, making it clear how evil and sadistic the Empire is (the side story of Cassian's friends getting tortured and killed adds to that sadism). Aiding in a mass breakout of the prison, Cassian makes his way back to his Alliance handlers and - after listening to an earnest and meaningful manifesto from an early Rebel intellectual (one who died in that bank robbery and ironically so minor a figure in the Alliance even the ISB can't identify him) - actively signs on to the fight.

Interwoven into Andor's narrative are the characters many Star Wars know will be major players in the Rebellion - Senator Mom Mothma for example, destined to denounce the Emperor's cruelty on the Senate Floor and the pure leader around which the Alliance will form - underscoring how the tides of history against oppression are inevitable. Intermixed are incredibly moving monologue's - Nemik's Manifesto is just the first - from others drawn into the fight - like Kino Loy's call to fight to break open the Imperial prisons and Luthen Rael's speech about his emotional sacrifices "I fight to make a sunrise I know I will never see" - that could stir any soul into rebellion.

Towards the end of Season Two, another major Star Wars player gets a monologue of his own, when Saw Guerra - a resistance fighter from the Clone Wars turned violent insurrectionist - explains his motivations to a new recruit (Cassian's young friend from Season One Wilmon). It's one of the most stirring and unsettling calls to fight in television history.


Saw Gerrera: There it is.

(Approaches rhydonium fumes and inhales)

Wilmon: (horrified) What are you doing?

Gerrera: (to the fumes) I have always loved you.

Wilmon: How can you do that?

Gerrera: (turns to face Wilmon) Because I understand it. Because she's my sister, rhydo, and she loves me. That itch... that burn... You feel how badly she wants to explode? (taps Wilmon's shoulders) Remember this. Remember this moment! This... perfect night. 

(Pauses, sees Wilmon's terror)

Gerrera: You think I'm crazy. (smiles) Yes, I am. Revolution is not for the sane. Look at us: Unloved, hunted, cannon fodder. We'll all be dead before the Republic is back and yet... here we are. 

(Pauses again, grabs Wilmon's shoulders harder) 

Gerrera: Where are you, boy? You're here. You're not with Luthen, you're here! You're RIGHT HERE and you're READY to fight!

(Wilmon's eyes go from fear to understanding. He willingly removes his mask to inhale the fumes, breathes deeply, coughing)

Gerrera: We're the ryhdo, kid. We're the fuel. We're the thing that explodes when there's too much friction in the air. 

(Wilmon's gasps and chokes as he accepts his fate with the Rebellion)

Gerrera: Let it in, boy. That's freedom calling! (laughing mad) Let it in! Let it RUN! Let it run WILD!

If you've watched the whole Star Wars storyline from the prequels to the Clone Wars animated series to here, you'll know Gerrera's backstory and how he lost his sanity: fighting first the Separatists that enslaved him and killed his sister, and then the Empire when the Republic fell. And yes if you're wondering, Saw Gerrera talks and acts a lot like his real-world model Che Guevara because the series storyrunners wanted a more violent yet charismatic rebel leader to highlight the more nobler goals of the main Alliance the fans already recognized. 

In that speech, Gerrera speaks to the revolutionary as an unloved fighter, romanticized as Margaret Killjoy puts it in her blog: 

I think a lot about the romanticization of suffering. When I lived in a van, it wasn’t because I wanted hashtag vanlife, it was because I had almost no money and I wanted somewhere dry to sleep and a way to get from place to place to keep doing activist work. I hated the romanticization of van life, the pristine photos of perfect beaches and fifty thousand dollar vans...

Eventually, after years, I moved into an off-grid barn, and slowly saved up the money to build a 12x12’ A-frame off-grid cabin on my friend’s property. From vanlife to tiny house. All the things you’re supposed to romanticize.

A tiny house is only an improvement if you’re coming from no-house, if you ask me. Most people are not happier living off grid. Most people are not happier living in their vehicles.

But if it’s what you have, it’s useful to find beauty in it. It’s useful to romanticize it. Some nights in the van, with the wind whipping through the trees, I was happy. Some summer days in the hammock in front of my cabin, I was happy.

When two revolutionaries, caught up in the ethical imperative to overthrow the galactic empire, start huffing fumes and waxing poetic about their perfect night of crime, they are making the right decision. If you’re going to die before you see your revolution succeed, might as well make the most of it. Might as well fill your brief life with as much meaning as you can possibly cram into it...

There’s this old book, Catechism of a Revolutionary, from 1869. It’s by this Russian nihilist named Sergey Nechayev. People get pretty hooked on this book sometimes. It’s intoxicating. The revolutionary is a doomed man, it says, right in its first sentence... 

According to the catechism, essentially anything is justifiable in the name of revolution. It was written in a time of tsars, less than a decade after the end of serfdom, and during a period where a lot of people were trying awfully hard to find a way to turn the tsar from one full-size person into a bunch of tiny little pieces of person, generally through the application of explosives. Which is, of course, a reasonable thing to do to autocrats.

But it’s worth understanding that the guy who wrote this book, Nechayev, was a piece of shit. That’s the technical term for it I think. Not just “he was so devoted to revolution that he was callous with people,” but just aggressively a bad person who, by my read, was rather detrimental to the movement he claimed to love...

I don’t have a high opinion of Catechism of a Revolutionary, nor of its author. It seems written to excuse a man doing whatever he wants (including imprisoning the woman who turned him down).

Yet when Saw Gerrera talks about “this perfect night,” I think about the pure beauty that can be found in an anti-police riot, when you and others make it clear that you will not accept to be ruled by unaccountable men with guns. Sometimes, you need to shout “fuck you” at the bastards and mean it. You need to shout “you are my enemies” and mean it. Sometimes you need to say “what are you going to do, kill me?” and know that they might, well, kill you, but that it needed to be said anyway.

You don't have to be as violent or terrible as the likes of Saw, or Che, or Nechayev. As much as they speak to the spirit of revolution, the power of pure resistance is more attainable. 

Be that fuel, that friction in the air. Just keep the struggle going. Be the signal, the call to action. Be free in the perfect moments.

Try.


Sunday, February 04, 2024

I Survived Orlando Megacon 2024


You regular readers know I indulge in attending the local (Central Florida) comic cons as I grew up on science fiction, comic books superheroes, anime, and general geekery.

This year for some reason, Orlando hosted their MegaCon in early February (they've usually been in May). While I missed attending last year's, I decided to attend this year as there were a couple of celebrities I hoped to see during the Q&A sessions and because I am trying to get into Magic The Gathering gaming and was hoping there would be an open table session for beginners to attend.

So I braved the I-4 Saturday traffic in relatively cool weather - yes, it drops below 60 F in Florida - and made reasonable time to get to the South Concourse parking lot to get on a shuttle bus to circle five blocks over to the West Concourse (the LOOOOOONG part of the Orange County Convention Center) and begin my day's journey.

This is actually the South Convention Center Concourse, where most of the
day parking is located. There are buses running shuttle service all
comiccon long. Seriously though, Orange County needs
to build an elevated rail between the Concourses to free up the
regular traffic on International Drive.

Getting into a comic con nowadays is a convoluted affair.
They give you a badge with a microchip in it, so you
HAVE to "activate" the card using the con's App. It takes forever
if you're not tech-savvy, and about 10 minutes if you ARE.

And this was the badge they gave me. Chewie Einstein.


This is the part of walking through a massive empty space
to get to the part of the West Concourse where the vendors set up.

Once you get inside, you then have to find your events between
three (or in some places four) levels. This was still early in the morning
before noontime as more people got inside Megacon.

At least I found the LEGO Club display room!!! Thank you
Greater Florida Lego Users Group!



Give me a minute or twelve to upload video of a working
LEGO City!

I showed up for Paul Bettany's Q&A session on the 
slight possibility his wife Jennifer Connelly would show up
and keep him in line. Alas.

This is in the Chapin Theater, an auditorium where the comic con
holds a number of A-lister interviews. I was last in here for
Hayley Atwell's appearance, if I recall it properly.

You'd be amazed how many of the fans gushed over
Bettany's work in A Knight's Tale instead of his work as
The MCU's Vision.

This was around 2:00 PM as the crowds were clearly
packing the main floor.

It's R2D2, rolling like a boss!!!

Got to sit in on a panel for Frank Cho, one of the better-known
"Good Girl" artists in the comics industry. It's more than just fanservice though, as
Cho is regarded as one of the best illustrators, period.
I got into him through his Liberty Meadows work (a cartoon strip in the vein of
Bloom County but with more gratuitous sex and violence as part of the absurdist humor).


They had a camera set up to focus on Cho's penciling as
he demonstrated the illustrator's work creating a comic book scene.

Cho took suggestions from the room, which bounced between
Wolverine to Wonder Woman to dinosaurs. I suggested "Wolverine
dancing with Wonder Woman with a T-Rex playing bass guitar
in the background" and Cho immediately called for security
to escort me out.

So as you can see he's drawing Wolverine.

Cho is using the mid-90s outfit that was more dark browns
and more shading than the famous bright yellow uniform

of the 70s-80s.

So it looks like Wolverine is punching somebody.
'Cause that's what Wolverine DOES...

Hey wait a second...

Is that...?

Oh no...

WOLVERINE JUST GUTTED HOWARD THE DUCK!!!
AAAAAAaaaaaaaa!

This is one of the prints I bought from Cho at his artist's booth, to give you an idea of what he draws. I also bought a Liberty Meadows and a Batman/Catwoman prints.

Speaking of artists, a number of famous comics artists were in Artist' Alley this MegaCon,
including a rare visit from Frank Miller, one of the creative forces from the late 1970s-
early 1980s who contributed to the massive culture boom - The Dark Knight Returns - of graphic narratives/superhero stories in the mainstream.
I took this picture late in the day to demonstrate the line that had been ongoing since 11:00AM...
which stretched across the open footpath to another line you can kind of see stretching off
to the right of the photo. If I had joined that line at 11, I would have arguably gotten to 
meet Mr. Miller and get an autographed poster or some such... in about two hours of waiting!
I'd have missed half of everything else I wanted to do at the con. NONE of the other
major artists had a waiting line that long. 

Speaking of long lines, THIS awaited me as I walked over to the Chapin Theater part
of the complex in hopes of attending the big celebrity draw of the day:
Ewan McGregor (Obi Wan) and Hayden Christensen (Anakin), both insanely hot Star Wars
fandom draws due to their return in popular Disney-Plus series. 

This is the Fourth floor entrance to Chapin Theater... packed wall to wall with fans many of
whom started forming the line at 2:00PM (!). I got there about 5:15PM... only to get the 
word from the con's security handlers announcing to the whole floor that they've already
reached max capacity for the auditorium and the cutoff was... can you see that one white hat
to the middle left of the photo? Yeah. That was the cutoff. Everybody else between that hat
and me were doomed. DOOMED I SAY.
That was kind of the last thing on my to-do list, and unable to do that I headed to the shuttle buses...

Except when I got to the buses they were coded by color routes instead of parking lots, and I had
no idea which color route went back to the South parking lot! /rage
Instead of waiting for the bus, I dared to walk back across a sky bridge between the Concourses
(See? The county at least did THAT! They should put in rail lines instead...). On the way back
I decided to get a photo of the Orlando Eye that's up the road on International Drive.

And here's a closer shot of it at a traffic stop as I drove to where all the restaurants are north
of the convention center. 'Cause after a full day of walking, I earned that pizza for dinner!

It took another three hours to get back home - an hour and an half getting off a packed
International Drive coping with merging traffic, escapees from the MegaCon, and idiot drivers, THIS
is why I scream about Orlando/Orange County needing an elevated rail system - 
just so I could get in a head rub with Mal the Panfurr who turns 10 years old this weekend!

And so that was my comic con adventure. I've gotten a little weary of attending these things - yes, I am getting too old to walk across half the landscape, and there aren't enough chairs and benches to go around - unless I can scare up any friends or family who might want to attend any cons in the future, this might be my last one. Who knows? A future MegaCon may entice with a can't miss celebrity (but it would involve me risking the entire day getting in line and waiting, sigh).


Thursday, May 04, 2023

MAY THE FOURTH BE WITH EMU... No, Wait, Lemme Fix T--

UNLEASH THE FULL FURY OF THE FORCE!!!


NOOOOOO! NEVER SUCCUMB TO THE DARK SIDE OF THE FORCE!!!


Wait, that's not Star Wars, lemme fix this...


THIS IS LLAMA FIVE, REPORTING IN!!! No, wait, still getting it wrong... Here, let's try this:


Okay, I seem to be getting Star Wars May 4th celebrations all wrong. I blame the Porgs.


One of these days I'll write up my critiques of The Last Jedi and the unnamable ninth movie.

LIVE LONG A... no wait, wrong franchise...

 

Friday, May 08, 2020

A Librarian-Writer-Jedi-Pirate-Wannabe Looks Back at 50

Sigh.

I remember I first wanted to become a writer when I was still in single digits, around maybe 8 or 9 years old, trying to write stories and slowly learning the mechanics of plot, character development, and the need for white-out goo while using an old-style typewriter.



I remember wanting to be a Jedi from A New Hope onward. Too bad my midichlorian count is too low my lack of faith is disturbing.

I didn't get too much into the being a pirate thing even while growing up a Tampa Bay Buccaneers sports fan. I really didn't get into it until I saw Emma Thompson's version of Sense and Sensibility where Edward points out "Piracy is our only option. ...What is swabbing anyway...?"

Becoming a librarian in real-life happened in college, when I worked in the Cataloging department with bindery processing at University of Florida. My Journalism studies were floundering (I graduated with barely a C average in those classes) and it had gotten to where I was there more to work in the library than to take the classes (things might have been different if I was able to switch majors to something I was getting better grades in like History or Political Science, alas my parents were paying out-of-pocket - I missed the scholarship requirements by a single grade in high school - and they needed me to finish as quick as possible). Anyway, long story short, I went to South Florida to get my Masters (THAT I got an A average in) and went straight into working in libraries ever since 1994.

There was that dark period during the Great Recession where I lost my job as a librarian in 2008 and spent four years struggling to regain full-time employment, up until 2013 when Bartow Library took a chance on me and I've been there ever since. There were times I was hoping the Obama administration were hiring, but I kept missing my chances to drop off my resume with him and damn it all I wasn't able to get my shot at being in the room when it happened.

  


In terms of all the other things, I've got the pictures of me being a Jedi, not so many of me being a pirate, and a good number of me being a mostly self-published writer. I keep running into the writer's block - the usual problems with chronic depression, work-related stress, real-world anxieties from horrific political dis-leadership and a current pandemic - of unfinished stories all over the place, and I should be using this time I still have to finish at least one of them to feel the accomplishment of completion again.

There's still a lot in my life I haven't done that I wanted so much to do when I was younger: To travel to places to see the world (Grand Canyon, Prague, London, Ireland, the coasts of Spain to Italy, Japan), to break out of my shell and learn social skills, to be better as a friend, to figure out how to flirt proper with ladies, figure out relationships (how to start one, obviously), stuff like that. There's a lot there that I should have done and figured out when I was younger - the regrets of being 20, and then 30, and then 40... - and part of me knows with all that's going on that I don't have many chances left.

So there's me, looking back at 50. I'll add pictures of the cake for today a little later.

Tuesday, May 05, 2020

When Cinco De Mayo is on a Taco Tuesday, With Revenge of the Sith On Our Minds

#CincoAtHome, America. General Zaragoza didn't fight off the French at the Battle of Puebla so that you all get sick with COVID-19 today.

If you wanna honor the Sith as they take their Revenge, do your part to pre-order from your local TACO TRUCK AT EVERY CORNER and pick up curbside service to avoid spreading the coronavirus.


To help, the LA Times has Five suggestions to do Cinco right.

These are easy things to do, America. Sith Responsibly.

Monday, May 04, 2020

May The 4th Be With You 2020 Edition

We really shouldn't be comic-conning any time soon, so a brief look back at all the comic-conning I did:

May R2D2 always be your wing man!














I wish I had gotten cleaner pictures of Carrie Fisher when I had the chance :( 

One thing happening is the Disney-Plus streaming service is releasing Rise of Skywalker today, and promoting the hell out of #MayThe4thBeWithYou on social media, which is a reminder for me to someday go back and review both it and The Last Jedi, which is tricky because yes I do have problems with those movies and I have to come to terms with that.

In the meantime, don't let the Sith get you down.
FINISH HIM!!!
Stay safe. It's what Baby Yoda would want you to do.